4K/8Kの高(gāo )解像度4K/8Kの高(gāo )解像度による大型映(yìng )像をはじ(🦁)め(🏳)、(🏹)CMや(🅱)PV、(😂)テ(🍝)レ(🐥)ビ(⛲)番(🔤)組(🗿)(zǔ(🏈) )、(💰)さ(🌥)らにはwebクリエイティヴ・デザインやグラフィック方面(miàn )でも(🕸)活(🚡)躍(🏈)す(👝)る(🛎)IMAGICAイ(🔸)メ(🔸)ー(🔂)ジ(👬)ワ(🎞)ー(😳)ク(❎)スと、『ALWAYS三(sān )丁目の夕(xī )日』シリーズや『永(yǒng )遠の0』などの大ヒット作で知られる映像制(zhì )作集団ROBOTがタッグを組んで、子(zǐ )どものころに見た夢を失(shī )いながら大(😻)人(🌬)に(🍫)な(👎)り(🔉)、(📼)多(🏽)忙(🔥)を(🛢)極(💡)め(📅)て(🐛)久(🆘)しい現代人の心(xīn )に、かつてのあの“想い”を蘇らせるSFファンタ(📰)ジ(🌹)ー(💔)!
Eela is an aspiring playback singer and single mother. She has given up all her dreams to raise her only son. But now her baby son 'Vivan' is all grown up and being a typical young millennial, doesn't want his mother's life to revolve around him. But being an over protective mother, Eela has other ideas and joins her son's college to spend more time with him. Unfortunately her plans backfire and she suffers a backlash from Vivan for invading his privacy. Will Helicopter Eela manage to salvage her relationship with Vivan and find her calling again?
遭(🚹)到(🏡)友(🤤)人(🐏)設(⚫)局(🥅)而(👧)欠(🆘)下(👀)(xià )大筆債務(wù )的張父,逼(bī )不得已帶(dài )著一家四口承租花蓮(lián )的一(yī )處 凶宅,此處過去曾(céng )發生了駭(hài )人聽聞的五(wǔ )子命案。初入凶宅的當天,一(yī )些若(ruò )有似無鬼(guǐ )影幢幢,加(🦐)(jiā(🌏) )上(🦖)張(♐)父(🕑)突(🥎)(tū(🥒) )如(😊)其(🌒)來(🏜)的(🛳)搬(😭)(bā(🌇)n )家舉動,惹的(de )張母與大姊心裡不愉(yú )快。即使(shǐ )向張父抱怨(yuàn ),鐵齒(🍨)的(💬)(de )張(🍊)父(🖌)以(🏧)一(😆)貫(🍈)不(❣)信(🐢)鬼(🏨)神(🐇)(shé(💃)n )的態(tài )度,予以拒絕。
Cut off from home and facing an impossible mission against mounting odds, "Deep Six" is a hyper-realistic live-action portrayal of a deep space forward operating base at a pivotal moment for humankind 250 years in our future.
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
一对(duì )情侣外出(chū )度假,入住(zhù )豪宅,然(rán )而,当他们半夜醒来(lái ),却(què )发现自己躺在一个处(chù )处充斥着(zhe )恐怖氛围的(de )荒弃诡宅(zhái )中……他们意欲逃离(lí ),然(rán )而(💪)却(🙉)始(🌤)终(🤱)(zhō(⬇)ng )逃(🥗)不(💓)出(🌗)去(😒),努(🛑)力(🆓)奔(🔵)逃(🤓)(táo ),但逃往的(de )地点却还(hái )是这(zhè )所诡异的荒宅……更(gèng )恐怖的是(🚒)(shì(🤱) ),当(🅾)他(🤨)们(🌎)再(🎋)(zà(💨)i )度(🎎)回(📕)到(➰)这(😍)(zhè )座诡宅,却发现,时(shí )间跟(gēn )他们走出去的时间,一样……
ユミは夫と娘の3人(rén )暮らし。近々引っ越(yuè )しを考えている。ユミは娘のレイナが時折うわ言を発(fā )することが、少(🤜)々(🌯)気(🏧)(qì(👬) )に(🐉)か(📻)か(🎱)っ(😑)て(🛺)い(👳)た(☔)。転(⛵)居(📀)の報告も兼(jiān )ねて友人ヒロミと久(jiǔ )々に再会するユミ。話題(tí(🐊) )は(🧡)い(🍥)つ(💅)し(🌭)か(🚉)「(👿)あ(✍)の(🕒)日(🚝)(rì(🕕) )」のことに。「私たちが埋めた時(shí )、本当に死んでたのかな?」。ユミは「あの日」のことを清算すべく、サエ、アコにも再会を決意し、廃墟のような家に一(yī )人で住む(🤦)サ(👩)エ(🎰)に(🤭)会(🕶)い(🎻)に(🗣)行(⛓)(há(💞)ng )く(😕)。サ(🈹)エ(🔇)は(🎳)、見知らぬ少女が現れて娘だと言って聞かず、しばらく一(🍉)緒(🈷)に(🚅)暮(♟)ら(🏙)し(🍕)て(💞)い(🔑)た(🚢)が(💙)死(🤧)ん(🚏)だこと、そして少女は死んだままその家の3階に寝かされているということを話し出す。(C)「黄泉がえる少女(nǚ )」製作委(wěi )員会详情