遭到友(🎗)人設(⭕)(shè遭到友(🎗)人設(⭕)(shè )局而欠(🍒)下(xià )大(dà )筆債務的張父，逼(🗼)不得(dé )已(yǐ )帶(📖)著一家四口(🛢)承租(🏾)花蓮的(de )一(🥁)處 凶宅，此處過去曾發(fā )生(🐟)了駭人聽聞的(🐋)(de )五子命案(à(⏫)n )。初入(🏛)凶宅的當(💪)(dāng )天，一些(xiē(⭕) )若(ruò(🆗) )有似無鬼(🚁)影幢(zhuàng )幢，加上(🤶)(shàng )張(zhāng )父突(💚)如其(🍌)來的搬家(🐟)舉動(dòng )，惹的(✂)張母(🍿)與大姊心(😭)裡不愉(yú )快。即使向張父抱(🛺)怨，鐵(tiě )齒(chǐ )的(🐡)張父以一貫(🍿)(guàn )不(🌆)信鬼神(shé(🏊)n )的(de )態度，予以拒(jù )絕。
德蒙(mé(🎿)ng )特(tè )·莫罗尼(🚘)、理查德·(🦕)哈(hā(📀) )蒙(méng )加盟(🍃)惊悚片[千次伤我心(xīn )]。该片(🤫)根据丹尼尔·(🍐)沃特斯(sī )的(🦖)同名(👇)小说改编(🔍)(biān )。斯科特(tè(🕎) )·斯(⛔)皮尔([舞出(🚐)我(wǒ )人生4])执导(🔺)(dǎo )，贾森·福(🏪)克斯(👎)(sī )编剧，贝(🐐)(bèi )拉(lā )·索(🐀)恩主(🦅)演。该片设(🌹)定(dìng )于(yú )洪水劫难之后，鬼(🀄)怪族群(qún )“残渣(🌊)”出现。多年后(🐬)，这(zhè(⛰) )些族群恐(🏇)吓年(nián )轻女子(索(suǒ )恩(ēn )饰(🔤))，而她必须(xū )冒(🛹)险找到(dào )生(🎶)(shēng )存(🕎)之路。
Jay Tanner and his crew have been getting rich off of faking demon hunts and posting them on YOUTUBE. Unfortunately for Jay and his crew this demon hunt turns real.
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western –(⬇) they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
Nina is a mother a little bit crazy, Baptiste a son a little too wise. Angry since a long time they are found for the adventure of their lives. During a trip unlikely, funny and moving, they will catch up the lost time.
４K/8Kの高解(jiě )像(xiàng )度による(🚋)大型映像をは(💉)じめ、CMやPV、(🔖)テレ(📠)ビ番組、(🚂)さらにはwebク(🗑)リエ(⏩)イティヴ(🧓)・デザインやグラフィッ(🚈)ク方(🚯)(fāng )面でも(🧘)活躍するIMAGICAイ(🚼)メー(🌟)ジワーク(😅)スと、『ALWAYS三丁目(mù )の夕日(📲)』シリーズや(🐘)『永遠(yuǎn )の(🏕)０』(⭐)などの大(🍙)ヒット作(zuò )で知られる映(🚼)像(xiàng )制作集団(🐁)(tuán )ROBOTがタッグ(📯)を組(🏴)んで、子(📕)どものころに見た夢を失(🚤)いながら大人(💀)になり、多(🌖)忙(má(🔹)ng )を極めて(📙)久しい現代(🤙)人の(🌵)心(xīn )に、(🦂)かつてのあの“想い”を蘇ら(🚘)せる(😞)SFファンタ(🤗)ジー！
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.详情
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