南(🐼)宋(🦐)时(🌸)汉(Ϩ南(🐼)宋(🦐)时(🌸)汉(✒)水(💵)流(🥧)域(💊)河盗猖獗，朝廷为剿灭匪患派出“横江军”精(jī(🍬)ng )英(🥝)章(🥂)盖(⏲)出任特(tè )使，稽查河上(shàng )大案。查案中(zhō(🐹)ng )与退役军人(rén )莫(mò )客偶遇，二(èr )人(rén )在误会(🕗)中(🧡)建(🥢)(jià(⬛)n )立(♋)(lì(🎢) )友(💟)(yǒu )谊。恰逢(féng )莫(mò )客(kè )亲人女孩(hái )玉(yù )佩(pè(💎)i )被(🏪)河(🈵)盗(➡)掳(lǔ )走(zǒu )，二人携手(shǒu )救(jiù )出玉佩和被(🚑)拐(guǎi )儿童，将河盗(dào )正法，还一方(fāng )平安。
A romantic journey through Stockholm's swing dance world. A dramatic comedy about love, music and dance.
The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.
这部(👎)电(🥇)(dià(🧡)n )影(🍻)的(🌿)故(🐄)事(🕸)背(📼)景(jǐng )让人不禁回忆(yì )起《逃出绝命镇》。一位黑(🎃)人(😿)男(🧠)性(🎪)（杰森·米切尔饰）在周末的时候，因(🦈)为(wéi )觉得周围只有(yǒu )白人朋友所以(yǐ )觉得(🤯)十(🔜)分(📞)紧(🤺)(jǐ(💍)n )张(🐢)(zhā(🤰)ng )。当然，这(zhè )部(bù )作品与乔丹(dān )·皮尔去年那(🕧)(nà(🏤) )部(🍯)(bù(✂) )符(fú )合大众口(kǒu )味(wèi )的(de )《逃出绝(jué )命(mì(🖇)ng )镇》不同。智(zhì )利导演塞巴斯(sī )蒂安·席尔瓦(🛠)(wǎ(🃏) )是(🚗)一(🔵)个(🔃)古(🐅)怪(👤)的(🚲)(de )人，他的电影(yǐng )如《女仆》、《水晶仙女》、《肮脏的(🚥)婴(⏮)儿(🎿)》都(🏓)倾向于剑走偏锋，故事开始会有点怪异(🏒)，而之后则会变(biàn )得更加怪异。这种风格对于(🌳)(yú(🍏) )《周(🐩)末(💛)生(⬛)日(🎴)(rì(🍽) )游(yóu )》意味着什(shí )么(me )呢？还不知(zhī )道(dào )。但我(😖)们(🤹)非(📵)(fē(😳)i )常(cháng )期(qī )待这种不(bú )确(què )定(dìng )性，况且(👊)(qiě )演(yǎn )员阵容中还(hái )有(yǒu )克里斯托弗·阿(⛷)伯(🔷)特(🐣)、(🍦)迦(😡)勒(🎮)(lè(🍿) )兰(⚡)德里·琼斯(sī ),迈克尔·塞拉(lā )和安·道德(🈂)。
《被(🚯)遗(🕜)忘(👐)的季(jì )节》是一部惊悚片，讲述了一个平(🛄)凡的人在成为杀人犯的过程中出现的互助(💉)(zhù(🐞) )、(📃)放(🍵)任(🛌)等(🖲)人(👡)类(lèi )心理。将平凡(fán )而又寒心的无(wú )业游民(🍔)设(🌗)定(🚊)(dì(📺)ng )为(wéi )犯人，将弟(dì )弟(dì )设定为充满(mǎn )出(🏭)(chū )人(rén )头地欲望(wàng )的(de )记(jì )者，将偶(ǒu )发(fā )性(🛩)的(📕)一(🥤)次(📯)杀(🔪)(shā(🍔) )人(👦)(ré(📃)n )与另一个个人(rén )的欲望相遇，如何演变成连(🎲)(liá(🔢)n )环(🏜)杀(🐜)人，平凡(fán )的犯人为什么(me )成为怪物。
遭(zā(🏡)o )到友人設局而欠下大筆債務的張父，逼不得(🍣)已(🍢)帶(🦆)著(🌪)一(🎤)家(🎲)四(🛳)口承租花蓮的一處(chù ) 凶宅，此處過(guò )去曾發(🔗)生(➰)了(🕙)駭(🃏)(hài )人聽聞的五子(zǐ )命案。初入(rù )凶(xiōng )宅(👋)的當天，一(yī )些若有似無(wú )鬼(guǐ )影(yǐng )幢幢，加(🕳)(jiā(🍩) )上(😡)(shà(🤓)ng )張(🔘)(zhā(🌻)ng )父(📊)突如其(qí )來(lái )的搬家舉動(dòng )，惹的張母與大(dà(🔠) )姊(🍟)心(🐦)裡(📽)不愉快(kuài )。即使向張父(fù )抱怨，鐵齒的(🚜)(de )張父以一貫不(bú )信鬼神的態度(dù )，予以拒絕。
Three families from three different level of society are involved in an accident. Immorality and betrayal which are in some families will take the natural right of the children- All in the dark are the same, human do not make the same decision in the specific situation and in the end no one is guilty. The wrong culture of a society will force the human to do the mistakes so we should not judge the people and their behavior..
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.详情
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