《健(jiàn )忘村》的故É《健(jiàn )忘村》的故事(🎢)发生(shēng )在(zài )一片(🔰)世外桃源般的村(✌)(cūn )落(😶)里,传说此地(📲)风水(🚥)(shuǐ )有(yǒu )帝王(😾)之相(🍥),石员外(曾(🧀)志伟(🐲) 饰)觊觎村(♍)中(zhō(🗑)ng )龙(lóng )脉,企图(🍀)与土(😎)匪联(💶)合(hé )屠(🧠)村。有(🤳)一天,一声(shē(🤹)ng )惨(cǎ(🥓)n )叫打破了裕(♉)旺村(🦍)的宁(níng )静,村民朱(🍮)大饼意外(wài )中(zhō(📻)ng )毒身亡,大饼的妻(🕣)子(zǐ )秋蓉(舒淇(🕺) 饰)成为(wéi )了(le )最(💞)大嫌疑人,这时(shí )“天虹真人”田贵(王(wáng )千(qiān )源 饰)手持(🕢)神秘宝(bǎo )器(qì )“忘(🆕)忧”路(🛫)过村子。据说(🚡)“忘忧(🌌)”可以洗(xǐ )去(💊)(qù )人(📄)的记忆,控制(✂)人格(🈸)(gé )。从此裕旺(💛)村变(🛠)成了(le )健(jiàn )忘(🚸)村。荒(🤪)诞爆(🚆)笑,阴(yī(🕘)n )谋不(🍳)断,其乐融融(💌)的(de )世(🏴)(shì )外桃源背(🎏)后隐(🕙)藏着一(yī )场血雨(⏹)腥风。
人據說(shuō )一(🎟)(yī )生最多有十萬(👊)條頭髮(fà ),每一條(😎)頭髮質感長(zhǎng )度(🏘)(dù )有異,但都承載著(zhe )煩(fán )惱的回憶。「時光理(lǐ )髮(fà )」剪(💮)掉的不只是頭(tó(🍩)u )髮(fà(🏽) ),還有街坊不(🦄)快的(🈯)記(jì )憶。行將(😰)式微(👬)的舊式(shì )廣(🙁)(guǎng )東(🍗)理髮店店主(🍄)海泉(😼)叔(shū )指望兒(🉑)子長(🕰)發繼(💸)承衣(yī(🔻) )缽(bō(🏨) ),不過(⏬)兒子卻(🤱)更想(🍀)當(dāng )文青,希(🍶)望透(🔊)過文字(zì )和(hé )音(👝)樂改變世界。一次(🐷)(cì )意外,長發被迫(🚛)代父(fù )親(qīn )落場(💼)當師傅,透過理(lǐ(👞) )髮為街坊排憂解難,更(gèng )與離家出走少女相(xiàng )遇(yù )相知(⏰),重新反思自己(jǐ(💺) )的(de )前路。傳統理髮(🥑)店(dià(🤦)n )交(jiāo )織舊區(🔏)鄰里(😓)人情,《點五步(⚪)》男角(👚)岑珈其(qí )化(♓)(huà )身(💽)理髮店傳人(🕷),演出(🈴)(chū )清新自然(🔦)。
法国(🎫)《电(dià(📮)n )影(yǐng )手(🕜)册》2018年(🐂)度期待榜单(🖊)(dān )重(🦁)点推荐影片之一(💁),影(yǐng )片采用16mm胶片(🚎)拍摄,具(jù )有极致(🐍)的迷幻色彩,影(yǐ(🙈)ng )像超级大胆,故事(🚾)讲(jiǎng )述5个热爱艺术的“野(yě )小(xiǎo )子”的罪恶之行,让(ràng )人想(🦀)到库布里克的《发(🥊)条橙》,而这5位“野(yě(🤺) )小子(🛩)”则正由5位女(🕧)演(yǎ(🍓)n )员“扮演”,涉及(🈚)到(dà(⚪)o )了(le )不少情色(😮)元素(➿),探讨(tǎo )了性(🍗)别结(🍖)构。
大学毕(bì(🏾) )业(yè(🚠) )没工(🎽)作的晓(👱)丽,跟(🛬)父(fù )亲生活(♐)在一(🎋)起,整天(tiān )闲(xián )在(📭)家里玩游戏看漫(🌿)画(huà ),四体不勤,非(🤔)常懒(lǎn )散(sàn )。根据(🔷)秋冬春夏四季(jì(🀄) )变换的自然规律,影(yǐng )片(piàn )讲述了晓丽是如何(hé )一(yī )步(🐙)步走出家门勇敢(👱)走(zǒu )向社会的......
注(🏚)目の(🔶)ミステリー(〰)作家(🏯)・大山誠一(🔩)(yī )郎(🚦)原作「赤い(🥦)博物(🌋)館(guǎn )」のド(🆑)ラマ(🌎)化第2弾。松(sō(🥁)ng )下由(🚺)樹主(👝)演で犯(🍘)罪資(😽)(zī )料(liào )館緋(⏮)色冴(😒)子シリーズ『赤(👈)い博物館2』を放(👛)(fàng )送(sòng )する。
城市(🚺)里出现了(le )一群怪(👝)鸟,他们开始(shǐ )筑(🎁)(zhù )巢,而人们被慢慢的(de )吸引到巢里居住。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
A love triangle gets even more complicated once a time machine enters the picture.详情