伊(yī )格(🏞)内(nèi &#伊(yī )格(🏞)内(nèi )修是中产(📊)阶级(jí )，他经营(🏉)着一(🕎)家自(zì )己(🐪)(jǐ )餐(🈸)厅，并且铁(🍣)(tiě )腕(🔊)(wàn )管理。因此(🧚)与员工(gōng )不断(👬)产生摩擦(cā )，尤(🔜)其是和厨师。一(🚓)(yī )次(🃏)，员工没打(🧚)(dǎ )算(😉)(suàn )联手(shǒ(😐)u )设局(🐆)反抗他，然而事(🉑)情却并没有按(⚪)(àn )照计划中进(📵)行(háng )...
出租车司(🙂)机栗花的丈(zhà(🔇)ng )夫因车祸去世(💂)(shì )。栗花与儿子(🐳)张明明(míng )的关(🚁)系紧张，为(wéi )得(🔼)到(dào )儿子的承(🍱)认，她决定做儿(📆)子崇(chóng )拜的(de )英(🤳)雄。她(🏞)化身(shēn )出(😊)租女(🔊)侠惩恶扬(🔁)善(shàn )，无意中招惹(😏)了(le )贩(fàn )卖人体(🌅)器官的组织(zhī(😎) )。栗花最终打(dǎ(🍶) )败(bà(🚌)i )邪恶组织(🤴)，成为(🌦)儿(ér )子敬(🥔)爱的(🐁)母亲(qīn )。
英国(guó(💈) )内战期间，交(jiā(🐙)o )战双方士兵发(🏿)现(xiàn )他们(men )陷入(🕵)一片被女(nǚ )巫(🥦)控制的森林之(😃)中
A group of five women go camping in the woods to celebrate a friend's birthday over 4/20 weekend. But when they cross the turf of an illegal marijuana grow operation they must struggle to survive the living nightmare.
《诡宅魅影》讲(🐷)(jiǎng )述(shù )的是民(🐦)国时期被父(fù(👥) )母寄居在吴宅(🐗)(zhái )的(de )小莲(lián )（(🌅)瑶瑶）因长(zhǎ(🐲)ng )期遭(🔍)受吴老爷(😸)虐(nuè(❄) )待迫(pò )害，导(👏)致人格(gé )分裂(🥎)，陷入四重人格(🐯)(gé )。由于吴老爷(🔴)(yé )与(yǔ )土匪勾(🔯)结，小(👸)莲即(jí )将(🗃)被灭(📆)口之际(jì )，幸得(🔏)吴宅老管家（(🤪)李子雄饰演）(🧤)搭(dā )救才(cái )幸(🥟)免于难。而(ér )此(🕟)时的小莲已经(🦉)(jīng )得了(le )失心疯(🏆)，得知(zhī )妹妹悲(🐒)惨遭遇后，远(yuǎ(😑)n )在国外学习心(⛎)(xīn )理(lǐ )学的哥(🐆)哥决定回国(guó(🕜) )，帮助小莲进(jì(🍂)n )行(há(🎖)ng )心理(lǐ )治(🦖)疗。他(🥨)对小(xiǎo )莲进(🐮)行了催眠，将小(🕤)(xiǎo )莲再度带回(🔒)吴(wú )家大院，并(🏿)实地还原(yuán )囚(😃)禁场(⛱)景，小(xiǎo )莲(🚖)(lián )在(💙)哥哥和吴家老(🕧)管(guǎn )家的帮助(📪)下，战(zhàn )胜了失(🌒)心疯，找回(huí )自(🧢)我，恢复了(le )健(jià(👄)n )康。
17歲的莎拉全(🈶)心(xīn )投入學校(😂)的戲劇(jù )排練(🛩)(liàn )，赤裸地體驗(🐣)(yàn )舞台上和生(🍉)活中的暴(bào )力(🛡)。當她試圖(tú )揭(🛡)(jiē )露深藏心中(☔)的醜(🔱)陋(lòu )秘密(😆)，高聲(😓)呼(hū )喊(hǎn )卻(🎿)孤立無援，於是(👰)(shì )在莎士比亞(😅)和華(huá )格納(nà(🕷) )的經典劇目中(🗝)(zhōng )尋(🤺)找寄託，她(🐏)想握(🛋)有(yǒu )茱麗葉的(🗯)匕首(shǒu )，想跟隨(🔅)伊索德的腳(jiǎ(🌳)o )步殉情而去，當(🌍)(dāng )她站上舞台(😘)，她是(shì )否能對(🧀)世界展(zhǎn )開(kā(🌘)i )反擊(jī )，扮演的(🐘)界線(xiàn )究竟在(😓)哪裡？
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
In Portugal, a father, a mother and a daughter's daily lives are being subsumed by the effects of the economic crisis.详情
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